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In this meandering
section of the narrow canyon, silt residue from the most
recent flood coats the walls to a height of twelve feet
above the beachlike floor, and decades of scour marks
overlay the rosy and purplish striations of exposed
rock. The undulating walls distort the flat lines of the
strata and grab my attention in one spot where the
opposing walls dive in front of each other at a double-hairpin
meander. I stop to take a few photographs. I note that
the time stamp is a minute slow compared to my watch:
The digital camera’s screen says it is 2:41 p.m.,
Saturday afternoon, April 26, 2003.
I bob my head to
the music as I walk another twenty yards and come to a
series of three chockstones and scramble over them. Then
I see another five chockstones, all the size of large
refrigerators, wedged at varying heights off the canyon
floor like a boulder gauntlet. It’s unusual to see
so many chockstones lined up in such evenly spaced
proximity. With two feet of clearance under the first
suspended chockstone, I have to crawl under it on my
belly—the only time I’ve ever had to get this low in
a canyon—but there is no alternative. The next
chockstone is wedged a little higher off the ground. I
stand and brush myself off, then squat and duck to pass
under. A crawl on all fours and two more squat-and-duck
maneuvers, and I’ve passed the remaining chockstones.
The defile is over sixty feet deep at this point, having
dropped fifty feet below the sand domes in two hundred
feet of linear distance.
I come to another
drop-off. This one is maybe eleven or twelve feet
high, a foot higher and of a different geometry than the
overhang I descended ten minutes ago. Another
refrigerator chockstone is wedged between the walls, ten
feet downstream from and at the same height as the
ledge. It gives the space below the drop-off the
claustrophobic feel of a short tunnel. Instead of the
walls widening after the drop-off, or opening into a
bowl at the bottom of the canyon, here the slot narrows
to a consistent three feet across at the lip of the
drop-off and continues at that width for fifty feet
down the canyon. Sometimes in narrow passages like this
one, it’s possible for me to stem my body across the
slot, with my feet and back pushing out in opposite
directions against the walls. Controlling this
counterpressure by switching my hands and feet on the
opposing walls, I can move up or down the shoulder-width
crevice fairly easily as long as the friction contact
stays solid between the walls and my hands, feet, and
back. This technique is known as stemming or chimneying;
you can imagine using it to climb up the inside of a
chimney.
Just below the
ledge where I’m standing is a chockstone the size of a
large bus tire, stuck fast in the channel between the
walls, a few feet out from the lip. If I can step onto
it, then I’ll have a nine-foot height to descend,
less than that of the first overhang. I’ll dangle off
the chockstone, then take a short fall onto the rounded
rocks piled on the canyon floor. Stemming across the
canyon at the lip of the drop-off, with one foot and
one hand on each of the walls, I traverse out to the
chockstone. I press my back against the south wall and
lock my left knee, which pushes my foot tight against
the north wall. With my right foot, I kick at the
boulder to test how stuck it is. It’s jammed tightly
enough to hold my weight. I lower myself from the
chimneying position and step onto the chockstone. It
supports me but teeters slightly. After confirming that
I don’t want to chimney down from the chockstone’s
height, I squat and grip the rear of the lodged boulder,
turning to face back upcanyon. Sliding my belly over the
front edge, I can lower myself and hang from my fully
extended arms, akin to climbing down from the roof of a
house.
As I dangle, I
feel the stone respond to my adjusting grip with a
scraping quake as my body’s weight applies enough
torque to disturb it from its position. Instantly, I
know this is trouble, and instinctively, I let go of the
rotating boulder to land on the round rocks below. When
I look up, the backlit chockstone falling toward my head
consumes the sky. Fear shoots my hands over my head. I
can’t move backward or I’ll fall over a small
ledge. My only hope is to push off the falling rock and
get my head out of its way.
The next three
seconds play out at a tenth of their normal speed. Time
dilates, as if I’m dreaming, and my reactions
decelerate. In slow motion: The rock smashes my left
hand against the south wall; my eyes register the
collision, and I yank my left arm back as the rock
ricochets; the boulder then crushes my right hand and
ensnares my right arm at the wrist, palm in, thumb up,
fingers extended; the rock slides another foot down the
wall with my arm in tow, tearing the skin off the
lateral side of my forearm. Then silence.
My disbelief
paralyzes me temporarily as I stare at the sight of my
arm vanishing into an implausibly small gap between the
fallen boulder and the canyon wall. Within moments, my
nervous system’s pain response overcomes the initial
shock. Good Christ, my hand. The flaring agony throws me
into a panic. I grimace and growl a sharp “Fuck!” My
mind commands my body, “Get your hand out of there!”
I yank my arm three times in a naive attempt to pull it
out. But I’m stuck.

Photo Credit:
Aron Ralston
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