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Salmon
Cascades
Picnic
Sol Duc River, September 2001
Salmon leap so quickly,
one of us can't believe
she caught a glimpse.
Fins. Tails.
No way to name which is which
among patches of blue-black
and too many cascades to call
this a river. It is a surge,
electric, terrifying, drawing
each one of us in.
The sky is a house of clouds.
Light rain begins to fall.
No matter. The salmon rise
and dip. The crowd, among
sandwiches and apples and pop,
cheers. No one is going home.
Our bodies lean closer to the surge,
to this place where air is a mix
of rock and dust and river-spray.
All around us, the leaves yellow and fall.
From the banks, we coax the late summer coho,
cheer them along, as if by leaping
they'll be saved.
Night comes on slowly.
No one leaves.
Only the salmon are headed home.

At 3 a.m.--
awake only to feed Maeve--
I think of Ruth,
the obituary she sent in Tuesday's mail,
and the note about the Holy Spirit
included for me.
Suddenly, the idea of death is everywhere
a veil of movement wrapping
itself around me
not tightly
but completely.
Diaphanous.
Full.
I want to call it black chemise
but it is canvas.
And this black canvas makes me forget, for a moment,
that I nurse a six week old baby.
I reach out for thoughts to fill
the space death has made.
* * *
I imagine Marian, beautiful friend,
in a yoga pose called trikonasana--
and I know this means triangle.
If I could, I would take death's canvas
and paint her there--shape her body
into many flowing, breathing triangles.
* * *
Then, my mind far away--
Maeve spits up
and hot sticky-sweet milk fills the crook
of my arm, runs onto lap and chair.
Sudden as love
it brings me back to her.
To this room,
where a night light
flickers tiny triangles through the dark.

Copyright @2001 Kate Reavey |
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KATE REAVEY'S poetry is as
much inspired by the rhythms of weather and seasonal change as it is by human
relationships. A student of Gary Snyder, Reavey has published two limited edition,
letter-pressed chapbooks, "Through the East Window" (Sagittarius) and
"Trading Posts" (Tangram). She is co-director of the Foothills Writers
Series, founder of the Poetry at the Brewery series in Port Angeles, and adjunct poetry
editor for the Pharos, Journal of the Alpha Omega Alpha Honors Medical Society. Her
poetry has appeared in Mothering magazine, the Western Journal of Medicine, and on the
Lost Mountain Poesia. She and her husband make their home in the foothills of the
Olympic mountains, where Reavey worked five seasons as a park ranger and six years as a
college instructor before settling into life with two small children. She is
currently at work on a collaboration with another poet (who is also a labor/delivery
nurse) on a collection of stories about childbirth. |